I endorse FV guitars and FJ Coyote guitars, solid bodied instruments handcrafted in Arcata, California, and Dominger pick-ups, hand-wound in Ferndale, a few miles south and now South Carolina. I have used Fender amps since 1972, and Hiwatt Custom 100 amps since 1976. I also endorse Fulltone and tc electronic stomp boxes, as well as Warehouse loudspeakers. I mic my cabs with Sennheiser MD 441s, Cascade Fat Heads and Shure KSM 353 ribbons.
The days of hauling multitrack machines, aligning heads and calibrating electronics are behind for a lot of us... Digital has made it more logical as well as economical to lay tracks with an acceptable level of quality. Nonetheless, I do indeed miss the analog shenanigans, so I have kept some hard earned habits alive in going for mics for everything and feeding old school analog preamps and compressors before and behind the converters. And of course, I could never let go of the very 3M 2 track recorder the Stones used at Wally Heider's in 73', the whole 250 lbs of it!
The Fillmore House Otari 5050
Radial, AEA & API goodies
Old 3M mixdown machine
Abbey Road plugin
Urei, Ted Fletcher, Focusrite & Summit Audio intput gear
AKG C451Bs & Shure KSM 137s
Shure KSM 137
Shure KSM 44
AKG C 414 B-ULS TLII
Pair of Shure KSM 137s
Miktek CV4 tube mic
Sennheiser MD 441 & AKG C451B
Shure KSM 353 Ribbon
AKG C 414 XLII
Cascade Fat Head
Rode NT2
Connault Equitek II
Audio Technica AT 4033